Belfast, Northern Ireland – “Kneecap,” a film about an Irish-language hip hop group’s unexpected rise to fame, offers a compelling narrative but lacks direction when it comes to utilizing the talent of actor Michael Fassbender. The opening scene sets the stage for a story often told in Belfast, with footage of explosive car bombings. However, rapper and main character Naoise Ó Cairealláin insists that this film will be different. Flashing back to his baptism in a forest where Catholics secretly practiced their religion during the Tudor conquest, Naoise reveals that the light symbolizing his entry into God’s family was actually a British helicopter. While his family takes cover, Naoise’s father Arlo defiantly raises his middle finger at the faceless enemy.
“Kneecap” tells the fictionalized origin story of the real-life rap group, featuring Naoise as Móglaí Bap, his best friend Liam Óg Ó Hannaidh as Mo Chara, and local music teacher JJ Ó Dochartaigh as the balaclava-clad DJ Próvaí. With their band named after a common punishment in their community, the trio’s music becomes an essential component of a campaign to preserve the Irish language in a place where few speak it. The film explores the post-Troubles era and the impact of past conflicts on the younger generation, highlighting their affinity for drugs and disaffection. Their breakthrough song, “C.E.A.R.T.A” (“rights”), addresses unionist cops and drug use.
Debutant director Rich Peppiatt, who previously collaborated with Kneecap on music videos, took up Irish language lessons before shooting the film. The decision to have the dialogue exclusively in Irish was a requirement from the band. The inclusion of the Irish language in the group’s hip hop performances became a media sensation, resulting in a 2022 profile by The New York Times that hailed them as pioneers. However, while “Kneecap” successfully tackles themes of drugs and politics, it struggles to fully utilize Fassbender’s character, Arlo, a complex anti-hero with ties to past violence. Fassbender delivers a powerful performance that adds gravitas to the film, but the character’s presence feels disjointed from the rest of the story.
The film draws obvious references from “Trainspotting,” featuring darkly humorous moments and satirical remarks about various subjects. Director Peppiatt’s style, evident in his sharp quips about Brighton hotels and Michael Collins, adds a unique voice to the film. The involvement of non-actor musicians in portraying themselves carries the risk of unconvincing performances. However, Kneecap proves their acting abilities by delivering grounded and clever portrayals that remain distinct from a documentary. Móglaí, in particular, stands out with his compelling performance, tackling the emotionally challenging subplot involving Fassbender’s character.
“Kneecap” is an entertaining comedy with a touch of drama, showcasing the director and cast’s talents while leaving room for improvement. It premiered at the 2024 Sundance Film Festival and is currently seeking distribution in the United States.