Los Angeles, CA – Teen drama-slash-psychological thriller “Miller’s Girl” explores the complexities of modern sexual politics through the story of 18-year-old Cairo Sweet. Directed by Jade Halley Bartlett, the film delves into the tumultuous dynamics between Cairo, played by Jenna Ortega, and her professor, portrayed by Martin Freeman. The plot centers on Cairo’s misguided crush and the subsequent heartbreak she experiences.
Cairo, a high school student, enrolls in a creative writing class taught by frustrated novelist Jonathan Miller. Intrigued by her possession of his debut novel and works by Henry Miller, Mr. Miller takes a liking to Cairo. Written and directed by Bartlett, “Miller’s Girl” cleverly incorporates references to both Mr. Miller and the real-life author to explore Cairo’s attempts to impress and find solace in her teacher.
Contrary to the stereotypical teacher-student narrative, Cairo’s motivations are not fueled by deception but rather by her own devastation and emotional immaturity. The film highlights the underlying theme of sexual censorship through Cairo’s best friend, Winnie, who uses her sexuality as a tool to level the power dynamics between teachers and students. While Winnie openly embraces her own sexual power, Cairo begins to experiment with her agency by attempting to befriend Mr. Miller.
As Cairo’s infatuation intensifies, she learns of Mr. Miller’s troubled marriage and the town’s knowledge of his sexual frustrations affecting his writing. Both Cairo and Mr. Miller share insecurities about their writing and sexual prowess, inspiring them to explore their respective works through an intertwining relationship. However, Cairo’s decision to declare her love for Mr. Miller in a provocative short story written in the style of Henry Miller leads to dire consequences.
The film explores the moral dilemma inherent in Cairo’s actions and Mr. Miller’s potential exploitation of Cairo’s intellectual maturity. The story raises questions about miscommunication and blurred boundaries in a creative field. Throughout the film, Cairo struggles to navigate the power dynamics between herself and Mr. Miller while grappling with her own coming-of-age.
Ortega’s performance as Cairo, initially perceived as miscast, effectively portrays the character’s vulnerability and lack of control. The film portrays Mr. Miller as a stunted emotional individual who is overshadowed by both Cairo and his wife, Beatrice. The complex web of blame and responsibility in “Miller’s Girl” prompts meaningful discussions about the inherently predatory nature of the muse-artist relationship.
Produced by Seth Rogen and Evan Goldberg, “Miller’s Girl” presents a murky exploration of power dynamics and the blurred lines between inspiration and inappropriate mentorship. Its thought-provoking narrative invites introspection and analysis. The film is set to premiere on January 26 in theaters, offering audiences a compelling story to dissect and contemplate.
Rating: B-