Los Angeles, California – “The Beekeeper,” a new action film, follows the familiar revenge fantasy trope of a brooding male loner seeking vengeance for a loved one. However, this formulaic narrative pays homage to the cinematic past.
The movie centers around Jason Statham’s character, Adam Clay, a mysterious man with lethal skills. When his friend Eloise falls victim to a phishing operation, leading to her suicide, Adam takes matters into his own hands. He sets fire to the call center responsible for the scam. This act catches the attention of Derek, a young business owner who seeks retribution.
Comparisons were drawn between “The Beekeeper” and the popular “John Wick” franchise at a recent screening, although some viewers found the reference misguided. Both films revolve around acts of violent revenge, but “The Beekeeper” lacks the stylized, meticulously choreographed action sequences that characterize the “John Wick” series.
As the killings in “The Beekeeper” unfold, Adam rises through the ranks to confront Derek, who has sought refuge in a seaside compound. The climax occurs when Adam saws off the fingers of one of Derek’s henchmen before sending him careening off a tall drawbridge attached to a pickup truck.
Surprising elements include Jeremy Irons’ role as Derek’s lieutenant and former CIA director, providing an explanation for the film’s title. Adam, a beekeeper in a literal sense, is also part of a supersecret CIA program called the Beekeeper. His mission is to protect the metaphorical human hive from threats and restore balance when necessary.
Directed by David Ayer, known for “Training Day” and “Suicide Squad,” “The Beekeeper” follows Ayer’s downward creative trajectory. While the film may find an audience that appreciates slickly produced action pulp, its formulaic nature hints at the possibility of a sequel.
“The Beekeeper” is a 106-minute film filled with strong violence, crude language, sexual references, and drug use. It is currently playing in theaters.
In conclusion, “The Beekeeper” adheres to the familiar revenge fantasy blueprint seen before in action films. Director David Ayer’s latest offering may appeal to fans of the genre, despite its lack of originality.